Morgan to reinvent itself with high-performance sports car

Morgan managing director Steve Morris said the new flagship shouldn’t be seen as a replacement for the Aero or Plus 8 models, recently discontinued after Morgan’s supply contract for normally aspirated 4.8-litre BMW V8s ended. Rather, it is an early result of several years’ study into how the company should shape its future.

The new chassis is the first tangible sign of this, said Morris. It is very similar in weight and dimensions to the Aero’s outgoing structure but twice as stiff. It can also provide comfortable driving for both bigger and smaller people than existing Morgans, hence its internal description as “the wide-bodied car”.

It can also cope with the predicted demands of electrification, which might, for example, require the car to carry sizeable traction batteries and provide space in its centre-rear chassis for electric drive motors.

Design head Jon Wells said shaping the new Morgan requires integrating traditional Morgan values into a new look that moves forward in era.

One model in Morgan’s design history that faced a similar challenge is the Plus 4 Plus of 1962, a coupeà that set out to modernise Morgan and is widely admired today for its beauty. Only 26 copies were sold, mainly because the company’s marketing people (at the time dealing with enormous demand for their roadsters) unrealistically priced it alongside the then-new Jaguar E-Type.

The Plus 4 Plus was “neither classic nor modern”, said Wells, but made the bold move of ditching Morgan’s tradition for running boards.

Wells believes Morgan’s design palette is wider than most people think, aided by elements of the Plus 4 Plus, the Aero and Aeromax, and the recently revitalised 3 Wheeler.

Among desirable Morgan design traits, he lists a short front overhang, a longer rear overhang with a low rear deck, round headlights, the driver located behind the car’s centre line, a rounded ‘mouth’, elegant front wings whose highest point is over the car’s front wheels and, above all, a look of coachbuilt authenticity, enhanced by great care with surfacing and positioning of shutlines.

“Our task is to take the charm of classic motoring and make it relevant,” Wells said, “so that it can be respected and desired as a good piece of modern design.”

Morgan has great timing: 

Morgan’s decision to take time over launching a new range of flagship models looks extremely wise, given that it has just had its best car-selling year in 109 years.

In today’s uncertain conditions, it must be reassuring to be selling models whose appeal is a given, and which face no head-to-head rivals. If it keeps making the classics, the Malvern company is almost bound to stay healthy. This is also a nice moment for a new flagship. The outgoing Aero leaves a gap ready to be filled by something different. Design head Jon Wells knows the brand and its customers well and is at the height of his powers. Those of us who know and love Morgan have often wondered how this unique brand can progress. Over the next few years, we’re going to find out.