Three weeks ago, we ran a feature on cars that Autocar staffers like but perhaps shouldn’t. The phrase ‘guilty pleasure’ crept into the reasoning. But not for me.
In a motoring context, there’s no such thing as a guilty pleasure. Not unless it involves anything illegal or particularly immoral, and I doubt anyone could argue that liking the Rover Streetwise is either of those. There’s merely the pleasure. No guilt.
Thinking about this reminds me of Hagerty’s annual Festival of the Unexceptional (due to be held last week but cancelled for obvious reasons), a show celebrating cars that were the workhorses of their day.
It features cars such as the Austin Maestro and Nissan Bluebird. This is the kind of metal that’s described as a guilty pleasure for those who like and love them, whereas pouring the same amount of time and effort into, say, a Ferrari 250 SWB, isn’t thought of the same way. Average, common-in-their-day cars are perceived as less worthy of the attention and affection.
I don’t think they are. The proportion of rare and expensive classics that ends up cherished is high. There’s no peril for these cars. The mainstream stuff, which is a living museum for ordinary family life, deserves its place in history too.
So if you like a car, like it. And don’t think you ought to feel bad about it. Yes, even the Streetwise.
â– My guiltless pleasure is a ‘Baja’ 1970s Volkswagen Beetle, which has hit problems: a failure to run under load at higher revs. No, they don’t all do that, sir. At least not this badly.
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Thre Streetwise was a great
Thre Streetwise was a great little car and on the bigger alloys it was a hoot to drive. It had the feel of a rally-car.
Great Event!
I did the Festival of the Unexceptional a few years ago when it was at Stowe and loved it and I'm one of those anoraks who are really into that kind of car. It's a 'minority sport' part of the publishing world which was covered by Modern Classics in its early days before Keith Adams moved on from being its Editor (after which it could have rebranded 'Aging Boy Racers' such was its shift in focus) - Bauer has just informed subscribers to Modern Classics that it has now printed its last edition. Nice that Matt Prior recognises the validity of us anoraks - perhaps AutoCropley can devote a regular column or section of the magazine to this iinterest area now that Modern Classics is no more.
I too noticed the change in
The Renault Megane Classic was a good car that deserves attenti